Album Description
RSD. 1 LP, 180 gram, litho wrap - long out of print
Amazon.com essential recording
The album that named a movement (and a magazine), No Depression rocks and twangs in just about equal measure, though the rock side wins out most of the time. Even when a song downshifts from full-on punk to banjo- and mandolin-graced interludes, it usually shifts back again, seemingly even louder and angrier than before. Beyond the influential sound, though, are some great songs--whether they're raging originals like "Graveyard Shift," where the job's literally a killer; an earnest, acoustic cover of the Carter Family's title track; or a decidedly desperate portrait of Leadbelly's "John Hardy." --David Cantwell
Amazon.com
The album that named a movement (and a magazine), No Depression rocks and twangs in just about equal measure, though the rock side wins out most of the time. Even when a song downshifts from full-on punk to banjo- and mandolin-graced interludes, it usually shifts back again, seemingly louder and angrier than before. Beyond the influential sound, though, are some great songs, whether they're raging originals like "Graveyard Shift," an earnest, acoustic cover of the Carter Family's title track, or a decidedly desperate portrait of Leadbelly's "John Hardy." Six bonus cuts flesh out the 2003 expanded and remastered edition, including a cover of Gram Parsons's "Sin City." --David Cantwell
No Depression (Vinyl) Reviews
No Depression (Vinyl) Reviews
| 19 of 20 people found the following review helpful By James F. Colobus (Pittsburgh, PA United States) - See all my reviews This review is from: No Depression (Audio CD) Back in 1990, I thought I was pretty `with it'. In addition to indulging my omnipresent metal fetish, I was listening to Mother Love Bone, Green River, Soundgarden and whatever else I could get my hands on coming out of Seattle. Yeah, I was big man on campus at William and Mary - at least in my own mind. When the Seattle scene exploded I got the kudos owed to someone who was hip to the scene before it went nationwide. Pretty cool, huh?Perhaps not as cool as I thought. By the mid-90s, Kurdt Cobain's suicide had pretty much signaled the end of the grunge movement and made it possible for rap metal lunkheads like Limp Bizkit and a second generation of grunge imitators like Creed to take over. Suddenly, a genre that had seemed so vital and revolutionary became dated. Old Soundgarden records no longer sounded as good and new ones like Down on the Upside just sounded horribly anachronistic. The Seattle grunge scene was great while it lasted and we may never see another... Read more 14 of 15 people found the following review helpful By Mr. Hi-Fi Banjo Strings (A cloud) - See all my reviews This review is from: No Depression (Audio CD) Being a 17-year-old in a neverending search of good music, and recently aquiring a well-paying summer job, I have purchased such aformentioned CDs quickly and easily. I had bought the entire Wilco discography and fell in love with Jeff Tweedy's songwriting capabilities, and the built-to-last structure of every one of their songs. I had learned about Uncle Tupelo, his first band, and expected the same greatness. For some reason or another, I awaited a lot of Wilco-esque songs with Tweedy leading the way. Was I ever wrong. At first, the slow realization that Jay Farrar was also a member of Uncle Tupelo came to me, and I hated it. The songs had more of a punkountry bend, and I wasn't prepared for it at all. But, with about the third listen, I completely understood the ins and outs of the album, and fell right into the groove. To me, it sounds like old-school, Lookout!-era Green Day with dueling banjos here and there, and it's bitchin'. Sure, Tweedy's heartfelt and... Read more 15 of 17 people found the following review helpful By This review is from: No Depression (Audio CD) Uncle Tupelo might be one of the most impressive and important bands you have never heard of. In the few short years -- and four amazing albums -- of their existence they developed a sound that would turn into the alt-country movement."No Depression" is the first record they released. You can hear the twang of the country music background that was around them in Bellville, IL, the punk rock sounds of The Clash and The Romones in the heavy, quick guitar riffs, and the folk influences of Bob Dylan in the lyrics of this album. It really transcended any music of the time. The songs individually are all excellent. The songs "No Depression", "Screen Door" and "Live Worth Livin'" stand out in my mind as the best of the disk. Farrar and Tweedy's voices compliment each other track to track while also giving a depth to the sound of the album. Quickly you will pick up on differences of Farrar's raspy voice, and deep outward looking lyrics while... Read more |
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